Every room we build starts from a layout that’s already proven and ends up fitted to your property’s real dimensions. The collections below are starting models, not a catalogue you pick a code from: finishes, dimensions, composition and fittings all change, and what stays constant is the construction logic that makes them work in a hotel.
The collections
Milan model
A wall-to-wall capitonné headboard, a two-door wardrobe and a desk that houses the minibar compartment. Designed for city rooms between 15 and 18 square metres, where you need an orderly layout and not a centimetre wasted.
London model
A tall upholstered headboard, sleeping and work areas coordinated in the same finish, a third bed built into the design from the start. It’s the model that copes best with family rooms without looking like a space filled in at the last minute.
Zurich model
Continuous panelling behind the bed, floating bedside tables and integrated lighting: the floor stays clear, and housekeeping can mop it in a single pass. Suited to business properties with high room turnover.
Madrid model
A sober layout with a fabric headboard and integrated wall lights on either side, designed for spacious rooms where the furniture needs to work with the natural light rather than fight it.
Frankfurt model
Wardrobe, desk and TV unit in a single run, with colour used as an accent on just one element. A format typical of central European business hotels, and easy to adapt for three-star properties.
Paris model
Decorated panelling and classically styled bedside tables, for historic properties that don’t want to lose their character when they renovate their rooms.
How a model becomes your room
The site survey is there to take the real measurements, not the drawing-board ones: out-of-square walls, alcoves, sill heights, socket positions. The model is adapted to those, and they’re what decides what stays and what changes. Measuring up on site is the stage where almost every costly on-site mistake gets avoided.
The survey feeds into the executive drawing and, where the project warrants it, a rendering that shows the finished room before the first panel is ever made. For supplies of more than twenty rooms, a mock-up room is always worth it: you sleep inside the design for a night and fix the three things you can never see on paper.
Finishes are chosen from physical samples and stay reorderable for years, because a property that renovates one floor a season needs the new floor to match the old one. That’s why finish continuity matters as much as the initial price.
What a complete room includes
A bed with a reinforced frame and headboard, a divan base, bedside tables, a wardrobe sized to the available wall, a desk with a minibar compartment, a luggage rack, a mirror and seating. The materials are contract-grade: HPL or high-resistance laminate panels where wear is daily, wood where it’s touched and seen, upholstery in class 1 IM as fire regulations require.
Delivery arrives labelled by room number and the teams fit out floor by floor, even while the property stays open: installation with the hotel in operation is organised so guests don’t notice. One point of contact follows everything, from survey to sign-off.
Frequently asked questions
Can I change the dimensions of a model?
Yes, and it’s the norm. The models are construction layouts: widths, heights and composition all adapt to the real room. Changing the dimensions doesn’t push the price up as much as you’d think, because the work is made to measure either way.
How many finishes can I choose from?
The standard finishes cover most projects and stay available for reorders over the years. With a dedicated sample run, we can produce colours and wood types outside the standard range, with slightly longer lead times.
Can you furnish just a single room?
Yes. Many properties start with a mock-up room or renovate one floor a season. The logic of the supply doesn’t change, only the timings and the installation schedule do.
How long does it take from order to delivery?
It depends on the number of rooms and the work involved. Timings are set out in the quote and tracked phase by phase: the variable that shifts the date most isn’t production, but the day the finishes are frozen.